Micropoética del actor: acercamiento cartográfico al teatro de grupo en Quito y Guayaquil, entre 2014 y 2017

Abstract

This article reflects about methodological means to systematically approach acting and stage experiences in the exchange of knowledge on the conceptual and epistemological basis of LatinAmerican theater poetics. To analyze coincidences in their various poetic practices, this methods generate specific didactics for formal, non-formal, and informal theater education, and link these verifiable or applicable experiences to the investigative practices of the world theatrical pedagogical ecosystem. Through this mixed method of systematization, it’s propose is to arrive at a deterritorialized space of acting creation, which is called: actor’s micropoetics. This space is a theatrical map in acting creation, because it recognizes aspects of production, creative modalities, and theatrical organization that have shaped the poetics of group theater in Quito and Guayaquil, in the reality of contemporary art.