Notas metodológicas para una crítica de arte ensamblada

Abstract

These notes on what I call assembled art critic emerged from my participation in various research and creation projects in art, as head of the theoretical-philosophical area. Through joint activities with artists, I have been creating a kind of experimentation protocol which has resulted over time in some theoretical and methodological indications sufficiently delimited, in my opinion, to be contemplated and shared in other contexts. Some indications of anti-colonial theories, as well as others of Deleuzian philosophy, and the theory of the network actor, guide me in detecting the marks of post-conceptual art in artistic and philosophical practices. I elaborate three lines, which I present in contractual terms, and which construct this experimentation protocol: an assembled epistemology, a corpo-aesthetics and a militant ethic.